For Malcolm by Peterson Toscano
I am your younger, lighter brother.
You exited in a bloody burst of gunfired four days
after I
Endured my own bloody ordeal called birth.
You're buried,
Yet live.
You resound in my students,
Young, displaced Africans.
You are their shining prince;
A fortress of a Black Man.
But were you a man like I am a man?
Were you ever unsure?
Confused?
Did you ever speed recklessly down?
Riverside Drive in the summer with
the windows closed so tight no one
heard you screaming?
Did you cling to Sister Betty, a
climber grasping a jutting rock on
a barren mountain face?
Were you a man like a I am a man?
You drove truth daggers into weary, Black souls.
You proclaimed what silently festered within.
You diagnosed the sickness.
You grouped for a cure, then
You left us like the cheetah bounding into the
forest.
It is your fierce manhood we crave.
It is your proud manhood we miss.
It is your profound manhood we must have.
You are a shining prince;
A fortress of a Man.
Will we be men like you when you were just a man?
Peterson's literary metaphors resonate over and over for anyone who knows anything about Malcolm X, or who was alive when he was and remembers reading about him in the newspapers and hearing about him on the evening news. Malcolm was an intelligent, sophisticated and articulate individual and created crowds to gather around him to listen to what he felt was important for others to know about.
"My alma mater was books, a good library... I could spend the rest of my life reading, just satisfying my curiosity." - Malcolm X
"Without education, you're not going anywhere in this world." - Malcolm X
Thursday, May 05, 2005
Vietnam
The Vietnam Wall by Alberto Rios (1988)
I
Have seen it
And I like it: The magic,
The way cutting onions
It brings water out of nowhere.
Invisible from one side, a scar
Into the skin of the ground
From the other, a black winding
Appendix line.
A dig.
An archaeologist can explain.
The walk is slow at first,
Easy, a little black marble wall
Of a dollhouse,
A smoothness, a shine
The boys in the street want to give.
One name. And then more
Names, long lines, lines of names until
They are the shape of the U.N Building
Taller than I am: I have walked
Into a grace.
And everything I expect has been taken away, like that, quick:
The names are not alphabetized.
They are in the order of dying,
An alphabet of-somewhere-screaming.
I start to walk out. I almost leave
But stop to look up names of friends,
My own name. There is somebody
Severiano Rios.
Little kids do not make the same noise
Here, the junior high school boys don’t run
Or hold each other in headlocks.
No rules, something just persists
Like pinching on St. Patrick’s Day
Every year for no green.
No one knows why.
Flowers are forced
Into the cracks
Between sections.
Men have cried
At this wall.
I have
Seen them.
The archaeologist goes back in the past to document history and statistics. He learns how things were before the bloodshed and guerilla warfare, the Post Traumatic Stress Disorder ridden veterans, those who have suffered from Agent Orange, various types of cancers and constant reoccurring dreams, hallucinations, and feelings. He learns how things were before the veterans became addicted to alcohol, cocaine, heroin, and marijuana. Before the homelessness and the drug rehab programs that constantly fail because the Vietnam veterans are permanently traumatized by their experiences, so their addictions continue, month after month, year after year.
At this wall, it is even socially acceptable for grown men to cry, and there are plenty of them too. There are those who go to visit brothers, uncles, fathers, sons, nephews, cousins, grandfathers, and best friends, and then there are those who just go to pay their respects, even though they might not know or be related to anyone whose name is engraved on that vast black marble wall that seems to stretch for an eternity.
Individuals take pieces of paper and crayons or a pencil with them when they go to the wall in order to etch the name of their loved one or friend onto the paper to save so as to remember the person who died.
Vietnam was a vicious place to fight and both sides had hundreds of thousands of people slaughtered, wiped off the face of the Earth forever. The people that were killed in Vietnam weren’t just men either, they were women and children also. Whole villages were being ransacked, destroyed and obliterated, and bodies strewn everywhere in the landscape.
I
Have seen it
And I like it: The magic,
The way cutting onions
It brings water out of nowhere.
Invisible from one side, a scar
Into the skin of the ground
From the other, a black winding
Appendix line.
A dig.
An archaeologist can explain.
The walk is slow at first,
Easy, a little black marble wall
Of a dollhouse,
A smoothness, a shine
The boys in the street want to give.
One name. And then more
Names, long lines, lines of names until
They are the shape of the U.N Building
Taller than I am: I have walked
Into a grace.
And everything I expect has been taken away, like that, quick:
The names are not alphabetized.
They are in the order of dying,
An alphabet of-somewhere-screaming.
I start to walk out. I almost leave
But stop to look up names of friends,
My own name. There is somebody
Severiano Rios.
Little kids do not make the same noise
Here, the junior high school boys don’t run
Or hold each other in headlocks.
No rules, something just persists
Like pinching on St. Patrick’s Day
Every year for no green.
No one knows why.
Flowers are forced
Into the cracks
Between sections.
Men have cried
At this wall.
I have
Seen them.
The archaeologist goes back in the past to document history and statistics. He learns how things were before the bloodshed and guerilla warfare, the Post Traumatic Stress Disorder ridden veterans, those who have suffered from Agent Orange, various types of cancers and constant reoccurring dreams, hallucinations, and feelings. He learns how things were before the veterans became addicted to alcohol, cocaine, heroin, and marijuana. Before the homelessness and the drug rehab programs that constantly fail because the Vietnam veterans are permanently traumatized by their experiences, so their addictions continue, month after month, year after year.
At this wall, it is even socially acceptable for grown men to cry, and there are plenty of them too. There are those who go to visit brothers, uncles, fathers, sons, nephews, cousins, grandfathers, and best friends, and then there are those who just go to pay their respects, even though they might not know or be related to anyone whose name is engraved on that vast black marble wall that seems to stretch for an eternity.
Individuals take pieces of paper and crayons or a pencil with them when they go to the wall in order to etch the name of their loved one or friend onto the paper to save so as to remember the person who died.
Vietnam was a vicious place to fight and both sides had hundreds of thousands of people slaughtered, wiped off the face of the Earth forever. The people that were killed in Vietnam weren’t just men either, they were women and children also. Whole villages were being ransacked, destroyed and obliterated, and bodies strewn everywhere in the landscape.
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